Skip to content
Log In
Register
Keys To Directing
Home
Introduction
Casting
Expand
Casting Intro
Conversational Method
What to Look for in a Resume
Readings
Couples and Friends
Callbacks
Non-Actors
Children
Stars
Directing Performance
Expand
Directing Performance Intro
Intentional Directing
Attitudinal Directing
Relationship Tree
Status
Maturity
Prior Circumstance
Personalization
Outside In
Emotion
Typologies
Being True in the Moment
Technical Direction
When the Actor Disagrees
Rehearsal
Expand
Rehearsal Intro
Rehearsal Techniques: Subtext Speak, Maturity, Hyperbole and more
Adjustments – Quantitative and Qualitative
Some Warnings
Camera
Expand
Camera Intro
Camera Moves
Lenses
Shot Sizes
The Line
Crossing the Line
Point of View
Leading Looks
Short Siding
OS Shots
Multiple Cameras
Oners
Zoom
Push In
Rack Focus
Split Diopter
Inserts
The Reveal
Transitions
Green Screen and Virtual FXs
Last Thoughts
Explore by Topics
Keys To Directing
Toggle Menu
Push In
Home
»
Camera
»
Push In
You need to be logged in to view this content. Please
Log In
. Not a Member?
Join Us
Member Login
Home
Introduction
Casting
Toggle child menu
Expand
Conversational Method
What to Look for in a Resume
Readings
Couples and Friends
Callbacks
Non-Actors
Children
Stars
Directing Performance
Toggle child menu
Expand
Intentional Directing
Attitudinal Directing
Relationship Tree
Being True in the Moment
Status
Maturity
Prior Circumstance
Personalization
Outside In
Emotion
Typologies
Technical Direction
When the Actor Disagrees
Rehearsal
Toggle child menu
Expand
Rehearsal Techniques: Subtext Speak, Maturity, Hyperbole and more
Adjustments – Quantitative and Qualitative
Some Warnings
Camera
Toggle child menu
Expand
Camera Moves
Lenses
Shot Sizes
The Line
Crossing the Line
Point of View
Short Siding
OS Shots
Leading Looks
Multiple Cameras
Oners
Zoom
Push In
Rack Focus
Split Diopter
Inserts
Green Screen and Virtual FXs
Last Thoughts
Explore by Topics
Join